Keep in mind that if you try out a set you like and they're not on a semi-hollow, they'll probably sound a little different on yours. Your results may vary but I would look into other pickups to throw in there. I wasn't a huge fan of the stock pickups. I realize it's semi-hollow, but it's still a big-ass chunk of wood and it wasn't pulling on me quite as much. The whole guitar also felt more balanced that the LP I had at the time, though this could have been influenced by the strap I had on it.

To me, the neck doesn't feel as chunky as an LP but it's also not quite as supple as a modern strat. I have average to slightly above average sized hands. Here are my thoughts on it, but bear in mind this is just one guy's opinion: Now that my musical tastes have expanded, I wish I had kept it I'll probably pick up another in the future. At the time, it wasn't the sound I wanted and I sold it after a few years. I owned a Cherry Epiphone Casino for a while. Or the burst which I'm really partial too - I've always liked Paul more than John ) But if you've gone and played one and you love it, then by all means snag it. I really think you can get better for $600, especially on the used market. Thats one of the reasons the Casino is a great guitar to have as a second or third option, in my opinion.īut this is all my take on it.

Good vintage tone, but if you want to do something else tonally, I found the options to be kind of limited. I also just wasn't a huge fan of the p90s on the Casino. That's the case with a lot of full hollow bodies, so I couldn't really play with any amount of dirt. With the Casino I was getting terrible feedback problems.

I actually got my Sheraton for cheaper than I would have paid for the Casino, too. I ended up going with an Epiphone Sheraton II and I absolutely love it. But if you're buying it to be your main ax, I'd consider something else. and even he's transitioned to an SG recently.ĭon't get me wrong, a Casino a great guitar to have in your arsenal.

The only person who has gotten a really attractive tone out of a Casino in my opinion is Gary Clark Jr. I got to wondering how the Beatles used it so well, and it occurred to me that I've never actually been attracted to the kinds of tones the Beatles got, just the playing. But when I played it, it just wasn't 'it'. I thought for sure it was the guitar for me. As a huge Beatles and hallow/semi-hallow guitar fan, I was initially really attracted to the Casino.

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